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zw RP{"id":36686,"date":"2020-11-08T21:01:19","date_gmt":"2020-11-08T20:01:19","guid":{"rendered":"https:\/\/www.n-3ds.com\/?p=36686"},"modified":"2020-11-08T21:01:22","modified_gmt":"2020-11-08T20:01:22","slug":"des-expositions-virtuelles-consacrees-a-lecosysteme-marin","status":"publish","type":"post","link":"https:\/\/www.n-3ds.com\/des-expositions-virtuelles-consacrees-a-lecosysteme-marin\/","title":{"rendered":"Des expositions virtuelles consacr\u00e9es \u00e0 l\u2019\u00e9cosyst\u00e8me marin"},"content":{"rendered":"\n

Une s\u00e9rie d\u2019expositions artistiques a \u00e9t\u00e9 organis\u00e9e dans le but de lever des fonds pour lutter contre la pollution des oc\u00e9ans. Baptis\u00e9 \u00ab\u00a0Parley Collective\u00a0\u00bb, ce projet regroupe douze galeries contemporaines.<\/h2>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Pourquoi les expositions ont-elles \u00e9t\u00e9 organis\u00e9es\u00a0?<\/h3>\n\n\n\n

La quantit\u00e9 de d\u00e9chets plastiques qui joncheraient les fondations des oc\u00e9ans<\/a> s\u2019\u00e9l\u00e8ve \u00e0 14 millions de tonnes. Cette information a \u00e9t\u00e9 r\u00e9v\u00e9l\u00e9e par une r\u00e9cente \u00e9tude de l\u2019agence scientifique du gouvernement australien. C\u2019est face \u00e0 ce constat que Parley for the Oceans a organis\u00e9 des expositions<\/strong> d\u2019art. D\u2019apr\u00e8s Cyrill Gutsch, la communaut\u00e9 artistique a tous les moyens pour insuffler du changement. \u00ab\u00a0\u00c9tant donn\u00e9 l\u2019\u00e9tat fragile dans lequel le monde se trouve actuellement, nous avons urgemment besoin de changements\u00a0\u00bb a-t-il ajout\u00e9.<\/p>\n\n\n\n

Un partenariat avec l\u2019application Vortic<\/h3>\n\n\n\n

Le fondateur de Vortic a expliqu\u00e9 que l\u2019une des raisons qui l\u2019ont pouss\u00e9 \u00e0 d\u00e9velopper la plateforme<\/em> est de voir comment les \u00e9tablissements pourraient \u00ab\u00a0r\u00e9duire leur impact environnemental\u00a0\u00bb. L\u2019objectif de l\u2019application<\/a> est aussi d\u2019\u00a0\u00ab\u00a0utiliser la sph\u00e8re num\u00e9rique pour les y aider\u00a0\u00bb \u00e0 travers l\u2019art<\/strong> moderne, selon Oliver Miro.<\/p>\n\n\n\n

\"\"
Plus d\u2019une exposition \u00e0 d\u00e9couvrir \u00a9\u00a0Image Courtesy of James Nares and Kasmin<\/figcaption><\/figure><\/div>\n\n\n\n

Les organismes qui participent \u00e0 l\u2019aventure \u00e9cologique<\/h3>\n\n\n\n

Parmi les mus\u00e9es participant \u00e0 cette initiative \u00e9cologique<\/a>, on compte PACE, Corvi-Mora, Sadie Coles ou encore Andrew Kreps Gallery<\/em>. Les expos tournent autour de plusieurs artistes comme le peintre Glenn Sorensen, le plasticien Gabriel Kuri<\/span> ou encore le sud-africain Moshekwa Langa.<\/p>\n\n\n\n

Un engagement \u00e9coresponsable pour la bonne cause<\/h3>\n\n\n\n

Les participants se sont engag\u00e9s \u00e0 reverser 5 \u00e0 10 % des recettes g\u00e9n\u00e9r\u00e9es par les exhibitions virtuels au Global Cleanup<\/a> Network. Celui-ci est un regroupement d\u2019organisations qui vise \u00e0 la r\u00e9duction des pollutions dans les mers<\/span> dans 28 pays.<\/p>\n\n\n\n

Avec l\u2019AFP\/Relaxnews<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"

Une s\u00e9rie d\u2019expositions artistiques a \u00e9t\u00e9 organis\u00e9e dans le but de lever des fonds pour lutter contre la pollution des oc\u00e9ans. Baptis\u00e9 \u00ab\u00a0Parley Collective\u00a0\u00bb, ce projet regroupe douze galeries contemporaines. Pourquoi les expositions ont-elles \u00e9t\u00e9 organis\u00e9es\u00a0? La quantit\u00e9 de d\u00e9chets plastiques qui joncheraient les fondations des oc\u00e9ans s\u2019\u00e9l\u00e8ve \u00e0 14 millions de tonnes. Cette information […]<\/p>\n","protected":false},"author":6,"featured_media":36688,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3,517],"tags":[1867,7508,7018,17944],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/posts\/36686"}],"collection":[{"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/comments?post=36686"}],"version-history":[{"count":1,"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/posts\/36686\/revisions"}],"predecessor-version":[{"id":36689,"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/posts\/36686\/revisions\/36689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/media\/36688"}],"wp:attachment":[{"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/media?parent=36686"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/categories?post=36686"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.n-3ds.com\/wp-json\/wp\/v2\/tags?post=36686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}